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Gregory Grotesk
Design with charisma, perform with utility.
Kevin Kelly ha anche diretto riviste quali «Whole Earth Review», «CoEvolution Quarterly», «Signal», e alcune delle ultime edizioni del Whole Earth Catalog. Con il fondatore di Whole Earth, Stewart Brand, Kelly ha partecipato alla creazione di WELL, un’importante comunità virtuale. Ha diretto anche la Point Foundation, sponsor della prima conferenza internazionale degli hacker nel 1984 (prima che la parola «hacker» ricevesse una connotazione negativa). Kelly è noto come partecipante e osservatore della cosiddetta «cybercultura», anche se il suo sguardo si spinge senza dubbio oltre i limiti ristretti della sottocultura attuale.
Model 38 ☞ PING PONG SuperPaddle ✨ 194gm Rosewood ●○ 260×157×24mm
☝ Earth Земля & Groth Ανάπτυξη & Joy Енергія & Renewal Ανανέωση 😃
People, people, people: Elliott, Miguel, Mei-Ling, Emma, Ayesha, Ryan, Amara, Mateo, Yuki, Isaac, Yasmin, Javier, Clara, Zara and George ❣

Gregory Grotesk may have a friendly and positive personality, but when it comes down to it this charismatic typeface is hard working and super-functional, balancing the playful qualities in its geometric construction.

Whether used for branding or information design, Gregory Grotesk balances a distinct, recognisable look at large sizes with functional typography for interfaces and texts. Matching the smooth texture of familiar system fonts, but showing a real, offbeat personality up close, Gregory’s a joyful take on your usual go-to sans serifs.

Gregory speaks differently: charming quirks gleaming through the solid shapes of a stable sans. Alongside some extravagant top-heavy letter shapes, it features rounded inner corners in the angular junctions. Reimagining wood type printing, their trapped inked flavour brings a handmade patina to sterile digital environments. With no ink traps, strokes thin at joints to compensate in a tapering reminiscent of 19th-century Grotesques: eye-catching moments of contrast and character, they celebrate small type displayed big.

Ranging from compressed to normal widths in the typical thin-to-black spectrums of weight, but it’s an individual alternative to conventional Grotesques. Gregory Grotesk is a quirky system of 24 individual styles united in one agile Variable Font with weight and width axes.

With Greek and Cyrillics approved by native designers, Gregory Grotesk is good company in more than 270 languages, including Vietnamese. Gregory Grotesk is carefully engineered with a range of OpenType Features for ambitious typography, offering a set of relaxed oldstyle figures, legibility alternates, language specific localisation and delightful symbols and emojis.

Designed by
Jakob Runge, Antonia Cornelius
in 2025
Consulting & Help
Maria Doreuli, Irene Vlachou, Oksana Sheinman
Specs
Providing 24 styles, in 8 weights, 3 widths and more than 1100 glyphs per font.
Formats
otf and ttf for desktop and apps, and woff and woff2 for web
Tags
SansRegularCondensedHeadlinesBody TextInterfaceIdentityLatinCyrillicGreekVietnameseGeometricExpressiveFriendlyVariable FontSuper FamilyAlternates
Related Typefaces
Gregory Poster, Gratimo Grotesk, Easy Grotesk, Piet, Norbert

Gregory Grotesk

  • Thin
  • xLight
  • Light
  • Regular
  • Medium
  • Bold
  • xBold
  • Black

Gregory Grotesk Condensed

  • Thin
  • xLight
  • Light
  • Regular
  • Medium
  • Bold
  • xBold
  • Black

Gregory Grotesk Compressed

  • Thin
  • xLight
  • Light
  • Regular
  • Medium
  • Bold
  • xBold
  • Black
Character Set
Language Support
Supports more than 270 Languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Atayal, Aymara, Azerbaijani, Bashkir, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz , Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic, Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Inari , Sami Lule, Sami Northern, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian (Lower, Upper), Sotho (Northern, Southern), Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Uzbek, Venetian, Vepsian, Vietnamese, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Cyrillic: Abaza, Adyghe, Agul, Avar, Azerbaijani, Balkar, Belarusian, Bosnian, Bulgarian, Buryat, Chechen, Crimean Tatar, Dargin, Dargwa, Dungan, Erzya, Hill Mari, Ingush, Judeo-Tat, Kabardian, Kalmyk, Karachay, Karakalpak, Kazakh, Khinalugh, Komi, Komi-Permyak, Kumyk, Kyrgyz, Lak, Lezgian, Macedonian, Meadow Mari, Moksha, Moldovan, Mongolian, Montenegrin, Muslim Tat, Nanai, Nogai, Northern Yukaghir, Russian, Rusyn, Rutul, Serbian, Southern Altai, Tabasaran, Tajik, Tat, Tatar, Tsakhur, Turkmen, Tuvan, Udi, Ukrainian, Uyghur, Uzbek

Greek: monotonic Greek
OpenType Features
All OpenType Features included: Access All Alternates, Case Sensitive, Contextual Alternates, Denominator, Fractions, Glyph Composition/Decomposition, Kerning, Ligatures, Lining Figures, Localized Forms, Mark to Mark Positioning, Numerators, Old style Figures, Ordinals, Proportional Figures, Scientific Inferiors, Slashed Zero, Stylistic Alternates, Stylistic Set: Black Circled Figures, Stylistic Set: Bulgarian Cyrillic Alternates, Stylistic Set: Circled Figures, Stylistic Set: Cyrillic Alternate Ya, ya, Stylistic Set: Double-Storey g, Stylistic Set: Edgy Comma and Quotes, Stylistic Set: Greek Geometric Alternates, Stylistic Set: Highly Legible a, l and 6, Stylistic Set: Serbian and Macedonian Cyrillic Alternates, Stylistic Set: Single-Storey a, Stylistic Set: Smart Typography Feature, Stylistic Set: Straight-Legged R, Stylistic Set: Tabular Width Set, Subscript, Superscript, Tabular Figures