LaBrassBanda
Universal creatives Thomas and Martin Poschauko used handmade type for the artwork of the Bavarian cult band LaBrassBanda. TypeMates helped with transferring their creativity to a handy type system.
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music1](https://www.typemates.com/public/_fiveByFour1600/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music1.png)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music2](https://www.typemates.com/public/_eightByFive2500/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music2.png)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music4](https://www.typemates.com/public/_fiveByFour1600/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music4.jpg)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music3](https://www.typemates.com/public/_eightByFive2500/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music3.jpg)
Since several years the two Poschauko twins have been working with LaBrassBanda. Their handmade and genuine approach to graphic design suits the traditional but cross-over gypsy-brass music.
The latest artwork for the album “Around the World” and especially the stage design is fueled by expressive illustrations; even the all-caps typography was meant to keep up with the handmade charm.
To not have to combine each single image of a letter into a headline or a whole paragraph, the most obvious solution was to turn the drawings into a font. By doing so, we made it possible to be able to write whatever needed in the desired style of typography.
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music5](https://www.typemates.com/public/_original1900/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music5.png)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music6](https://www.typemates.com/public/_original1900/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music6.png)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music7](https://www.typemates.com/public/_original1900/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music7.jpg)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music8](https://www.typemates.com/public/_original1900/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music8.png)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music9](https://www.typemates.com/public/_original1900/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music9.png)
After briefing Thomas and Martin Poschauko which characters might be useful, they provided us with all letters for digitisation. Thanks to our experience gained from the hand-crafted Cera Brush, the ideal conversion of authentic grayscale images to monochrome vectors wasn’t a big deal.
Considering different applications, we realised two variants of the LaBrasBanda Font: a clean and a rough version.
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music10](https://www.typemates.com/public/_fiveByFour1600/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music10.jpg)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music11](https://www.typemates.com/public/_eightByFive2500/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music11.jpg)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music13](https://www.typemates.com/public/_fiveByFour1600/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music13.jpg)
![Typemates La Brass Banda bespoke Typeface Custom Font Branding Sans Brush Music12](https://www.typemates.com/public/_eightByFive2500/Typemates-LaBrassBanda-bespokeTypeface-CustomFont-Branding-Sans-Brush-Music12.jpg)
Kerning only the necessary combinations, helped to avoid unattractive gaps in the text flow and simultaneously finished off the custom font.
Last but not least we added a small gimmick: By implementing a clever way of spacing and kerning, it is possible to combine characters into various decorative patterns.
Images by courtesy of Thomas and Martin Poschauko.